<\/div>\n

$\"imagen.png\"$ <\/div>\n

Ang\u00e9lica Gorodischer<\/b><\/p>\n

Serie\u00a0de<\/span>\u00a0los dos siglos<\/span><\/b><\/p>\n

Directores: Sylvia Sa\u00edtta y Jos\u00e9 Luis\u00a0de<\/span>\u00a0Diego<\/span><\/span><\/p>\n

<\/b><\/p>\n

<\/p>\n

1.\u00a0Domingo<\/span>\u00a0F. Sarmiento<\/span><\/b>,\u00a0Facundo<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Carlos Altamirano
\n2. Ezequiel Mart\u00ednez Estrada<\/span><\/b>,\u00a0Radiograf\u00eda\u00a0de<\/span>\u00a0la Pampa<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Liliana Weinberg
\n<\/span><\/span><\/span>3. Esteban Echeverr\u00eda<\/span><\/b>,\u00a0La cautiva. El matadero<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Carlos Gamerro
\n<\/span><\/span><\/span><\/span>4. C\u00e9sar Aira<\/span><\/b>,\u00a0Ema, la cautiva<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Sandra Contreras
\n<\/span><\/span>5. Juan Carlos Portantiero<\/span><\/b>,\u00a0Realismo y realidad en la narrativa argentina<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Mar<\/span>\u00eda Teresa Gramuglio
\n<\/span><\/span>6. David\u00a0Vi<\/span>\u00f1as<\/span><\/b>,\u00a0Un dios cotidiano<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0An\u00edbal Jarkowski
\n<\/span><\/span>7. Ra\u00fal Gonz\u00e1lez Tu\u00f1\u00f3n<\/span><\/b>,\u00a0La calle del agujero en la media<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Mart\u00edn Prieto
\n<\/span><\/span>8. Juan Gelman<\/span><\/b>,\u00a0Got\u00e1n<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Miguel Dalmaroni
\n<\/span>9. Leopoldo Lugones<\/span><\/b>,\u00a0El payador<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Edgardo Dobry
\n<\/span><\/span>10. Ricardo G\u00fciraldes<\/span><\/b>,\u00a0Don Segundo Sombra<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0\u00c9lida Lois
\n<\/span><\/span>11. Eduardo Guti\u00e9rrez<\/span><\/b>,\u00a0Juan Moreira<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Alejandra Laera
\n<\/span><\/span>12. Roberto J. Payr\u00f3<\/span><\/b>,\u00a0Divertidas aventuras del nieto\u00a0de<\/span>\u00a0Juan Moreira<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Sergio Pastormerlo
\n<\/span><\/span>13. Alberto Laiseca<\/span><\/b>,\u00a0Por favor, \u00a1pl\u00e1gienme!<\/i>\u00a0Pr\u00f3logo\u00a0de<\/span>\u00a0Hern\u00e1n Bergara
\n<\/span><\/span>14. Marcelo Cohen<\/span><\/b>,\u00a0El o\u00eddo<\/span>\u00a0absoluto<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Miriam Chiani
\n<\/span><\/span>15. Armando Disc\u00e9polo<\/span><\/b>,\u00a0Mateo. Relojero. Mu\u00f1eca<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Beatriz Trastoy
\n<\/span><\/span>16. Roberto Raschella<\/span><\/b>,\u00a0Di\u00e1logos en los patios rojos<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Beatriz Sarlo
\n<\/span>17. Andr\u00e9s Avellaneda<\/span><\/b>,\u00a0El habla\u00a0de<\/span>\u00a0la ideolog\u00eda<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Jos\u00e9 Luis\u00a0de<\/span>\u00a0Diego
\n<\/span><\/span>18. Adolfo Prieto<\/span><\/b>,\u00a0Literatura y subdesarrollo<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Alejandro Blanco
\n<\/span><\/span>19. Sa\u00fal Sosnowski (compilador)<\/span><\/b>,\u00a0Represi\u00f3n y reconstrucci\u00f3n\u00a0de<\/span>\u00a0una cultura<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Sa\u00fal Sosnowski
\n<\/span>20.\u00a0<\/span><\/b>Ficci\u00f3n y pol\u00edtica.<\/span><\/i>\u00a0La narrativa argentina durante el Proceso militar<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Andr\u00e9s Avellaneda
\n<\/span><\/span>21. Juan Martini<\/span><\/b>,\u00a0La vida entera<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Liliana Tozzi
\n<\/span><\/span>22. Elvio Gandolfo<\/span><\/b>,\u00a0La reina\u00a0de<\/span>\u00a0las nieves<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Patricia Willson
\n<\/span>23. Mauricio Kartun<\/span><\/b>,\u00a0Pericones. El partener<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Jorge Dubatti
\n<\/span><\/span>24. Rafael Spregelburd<\/span><\/b>,\u00a0La estupidez<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Natacha Koss
\n<\/span>25. Roberto Arlt<\/span><\/b>,\u00a0Aguafuertes y notas period\u00edsticas<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Laura\u00a0Ju<\/span>\u00e1rez
\n<\/span><\/span>26. Ra\u00fal Scalabrini Ortiz<\/span><\/b>,\u00a0A trav\u00e9s\u00a0de<\/span>\u00a0la ciudad<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Fernando\u00a0Diego<\/span>\u00a0Rodr\u00edguez
\n<\/span>27. Norah Lange<\/span><\/b>,\u00a0\u00a0La calle\u00a0de<\/span>\u00a0la tarde. Los d\u00edas y las noches. El rumbo\u00a0de<\/span>\u00a0la rosa<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Tania Diz
\n<\/span><\/span>28. Oliverio Girondo<\/span><\/b>,\u00a0El peri\u00f3dico Mart\u00edn Fierro<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Mart\u00edn Greco
\n<\/span><\/span>29. Jos\u00e9 Bianco<\/span><\/b>,\u00a0Epistolario<\/i>. Pr\u00f3logos\u00a0de<\/span>\u00a0Daniel Balderston y\u00a0Mar<\/span>\u00eda Julia Rossi.\u00a0<\/span>Ep\u00edlogo y notas\u00a0de<\/span>\u00a0Eduardo Paz Leston
\n<\/span><\/span>30. No\u00e9 Jitrik<\/span><\/b>,\u00a0<\/span>Ensayos y estudios\u00a0de<\/span>\u00a0literatura argentina<\/span><\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Roberto Ferro
\n<\/span><\/span>31. Baldomero Fern\u00e1ndez Moreno,\u00a0<\/span><\/b>Ciudad<\/span><\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Jorge Monteleone
\n<\/span>32. Ang\u00e9lica Gorodischer<\/span><\/b><\/span>,\u00a0Tumba\u00a0de<\/span>\u00a0jaguares<\/i>. Pr\u00f3logo\u00a0de<\/span>\u00a0Mart\u00edn Castagnet<\/span>
\n<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ang\u00e9lica Gorodischer Serie\u00a0de\u00a0los dos siglos Directores: Sylvia Sa\u00edtta y Jos\u00e9 Luis\u00a0de\u00a0Diego 1.\u00a0Domingo\u00a0F. Sarmiento,\u00a0Facundo. Pr\u00f3logo\u00a0de\u00a0Carlos Altamirano 2. Ezequiel Mart\u00ednez Estrada,\u00a0Radiograf\u00eda\u00a0de\u00a0la Pampa. Pr\u00f3logo\u00a0de\u00a0Liliana Weinberg 3. Esteban Echeverr\u00eda,\u00a0La cautiva. El matadero. Pr\u00f3logo\u00a0de\u00a0Carlos Gamerro 4. C\u00e9sar Aira,\u00a0Ema, la cautiva. Pr\u00f3logo\u00a0de\u00a0Sandra Contreras 5. Juan Carlos Portantiero,\u00a0Realismo y realidad en la narrativa argentina. […]<\/p>\n","protected":false},"author":13,"featured_media":449,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[2,4],"class_list":["post-448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacados","category-novedades"],"acf":[],"_links":{"self":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/posts\/448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/comments?post=448"}],"version-history":[{"count":1,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/posts\/448\/revisions"}],"predecessor-version":[{"id":450,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/posts\/448\/revisions\/450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/media\/449"}],"wp:attachment":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/media?parent=448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ctcl\/wp-json\/wp\/v2\/categories?post=448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}