{"id":340,"date":"2018-10-25T16:23:26","date_gmt":"2018-10-25T19:23:26","guid":{"rendered":"http:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/?p=340"},"modified":"2025-09-02T22:09:23","modified_gmt":"2025-09-03T01:09:23","slug":"tradicion-y-traduccion-clasicas-en-america-latina","status":"publish","type":"post","link":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/tradicion-y-traduccion-clasicas-en-america-latina\/","title":{"rendered":"Tradici\u00f3n y traducci\u00f3n cl\u00e1sicas en Am\u00e9rica Latina"},"content":{"rendered":"<p><strong>I. Tradici\u00f3n cl\u00e1sica<\/strong><\/p>\n<p>Parodiar la tradici\u00f3n cl\u00e1sica: <em>De Dioses, hombrecitos y polic\u00edas<\/em> de Humberto Constantini<\/p>\n<p>Claudia N. Fern\u00e1ndez<\/p>\n<p>El mundo cl\u00e1sico en la obra de Guilherme Figueiredo<\/p>\n<p>Mimy Flores Santamar\u00eda y Mar\u00eda Eugen\u00eda Rodr\u00edguez Blanco<\/p>\n<p>Orfismo na literatura brasileira: do s\u00e9culo XX \u00e0 primeira d\u00e9cada do XXI<\/p>\n<p>Carlinda Fragale Pate Nu\u00f1ez<\/p>\n<p>Bioy Casares en clave cl\u00e1sica. Presencia de la tradici\u00f3n grecolatina en tres cuentos de Adolfo Bioy Casares<\/p>\n<p>L\u00eda M. Gal\u00e1n<\/p>\n<p>La poes\u00eda en M\u00e9xico y Centroam\u00e9rica: entre <em>Eros<\/em>, <em>Lumen<\/em>, <em>Numen<\/em> y T\u00e1ntalos, C\u00e9sares o Acteones<\/p>\n<p>Carmen Gallardo Mediavilla<\/p>\n<p>Huellas cl\u00e1sicas en el teatro argentino <em>Ant\u00edgonaS<\/em>: <em>linaje de hembras<\/em> de Jorge Huertas<\/p>\n<p>Lidia Gamb\u00f3n<\/p>\n<p>Influencia cl\u00e1sica en la formaci\u00f3n de la cultura cubana. El di\u00e1logo en el <em>Papel Peri\u00f3dico de la Havana<\/em><\/p>\n<p>Alina Guti\u00e9rrez Grova<\/p>\n<p>La tradici\u00f3n grecorromana en los primeros libros de poemas de Silvina Ocampo<\/p>\n<p>Pablo Mart\u00ednez Astorino<\/p>\n<p>O mundo antigo na cad\u00eancia de Bandeira: um ritmo dissoluto<\/p>\n<p>Manuela Ribeiro Barbosa y Tereza Virg\u00ednia Ribeiro Barbosa<\/p>\n<p><strong>II. Traducci\u00f3n cl\u00e1sica<\/strong><\/p>\n<p>Un poeta griego del siglo v a.n.e. traducido por una cubana del siglo xx<\/p>\n<p>Mariana Fern\u00e1ndez Campos<\/p>\n<p>La traducci\u00f3n de Andr\u00e9s Bello de la comedia <em>Rudens<\/em> de Plauto<\/p>\n<p>Rosario L\u00f3pez Gregoris<\/p>\n<p>La traducci\u00f3n de las part\u00edculas en las traducciones de la <em>Il\u00edada<\/em> de Lugones, Mestre y Bonifaz<\/p>\n<p>Helena Maquieira<\/p>\n<p>Laura Mestre y su traducci\u00f3n de la <em>Il\u00edada<\/em><\/p>\n<p>Elina Miranda Cancela<\/p>\n<p>Laura Mestre, traductora in\u00e9dita de la <em>Odisea\u00a0<\/em><\/p>\n<p>Juan Manuel Tab\u00edo<\/p>\n<p>Las traducciones de Homero en Am\u00e9rica Latina<\/p>\n<p>Emilio Crespo y Jorge Piqu\u00e9<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Tradici\u00f3n cl\u00e1sica Parodiar la tradici\u00f3n cl\u00e1sica: De Dioses, hombrecitos y polic\u00edas de Humberto Constantini Claudia N. Fern\u00e1ndez El mundo cl\u00e1sico en la obra de Guilherme Figueiredo Mimy Flores Santamar\u00eda y Mar\u00eda Eugen\u00eda Rodr\u00edguez Blanco Orfismo na literatura brasileira: do s\u00e9culo XX \u00e0 primeira d\u00e9cada do XXI Carlinda Fragale Pate Nu\u00f1ez Bioy Casares en clave [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":1045,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[11],"class_list":["post-340","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros"],"acf":[],"rttpg_featured_image_url":{"full":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"landscape":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"portraits":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"thumbnail":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-150x150.jpg",150,150,true],"medium":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"large":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"1536x1536":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"2048x2048":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_80x60":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-80x60.jpg",80,60,true],"td_100x70":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-100x70.jpg",100,70,true],"td_218x150":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-208x150.jpg",208,150,true],"td_265x198":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-208x198.jpg",208,198,true],"td_324x160":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-208x160.jpg",208,160,true],"td_324x235":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-208x235.jpg",208,235,true],"td_324x400":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_356x220":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-208x220.jpg",208,220,true],"td_356x364":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_485x360":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_533x261":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu-208x261.jpg",208,261,true],"td_534x462":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_696x0":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_696x385":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_741x486":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_1068x580":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_1068x0":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_0x420":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"td_1920x0":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false],"rt_custom":["https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-content\/uploads\/sites\/9\/2018\/10\/tradi-y-tradu.jpg",208,300,false]},"rttpg_author":{"display_name":"cehelenicos","author_link":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/author\/cehelenicos\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/category\/libros\/\" rel=\"category tag\">Libros<\/a>","rttpg_excerpt":"I. Tradici\u00f3n cl\u00e1sica Parodiar la tradici\u00f3n cl\u00e1sica: De Dioses, hombrecitos y polic\u00edas de Humberto Constantini Claudia N. Fern\u00e1ndez El mundo cl\u00e1sico en la obra de Guilherme Figueiredo Mimy Flores Santamar\u00eda y Mar\u00eda Eugen\u00eda Rodr\u00edguez Blanco Orfismo na literatura brasileira: do s\u00e9culo XX \u00e0 primeira d\u00e9cada do XXI Carlinda Fragale Pate Nu\u00f1ez Bioy Casares en clave&hellip;","_links":{"self":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/posts\/340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/comments?post=340"}],"version-history":[{"count":3,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/posts\/340\/revisions"}],"predecessor-version":[{"id":1021,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/posts\/340\/revisions\/1021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/media\/1045"}],"wp:attachment":[{"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/media?parent=340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idihcs.fahce.unlp.edu.ar\/ceh\/wp-json\/wp\/v2\/categories?post=340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}